The literal meaning of an ayah is signs. An ayah can be a few letters,
a
word, a sentence, or several sentences. These measures in
themselves render an ayah different from a verse. Thus, the parallel in
Quran of what is known as a verse in Bible is only to a certain extent
an
Ayah. It should be noted, however, that a single letter is not an ayah.
2. A collection of ayahs makes a 'Surah'. The word Surah is derived
from
'Sur', meaning a boundary or an entrenchment. Every ayah is a sign of
Allah
Jalla Shanahu's Wisdom, and the unit of surah encompasses within it a
city
of meaningful ayahs. In all there are 114 surahs in the Quran.
The longest surah in the Quran Al-Hakeem is Al-Baqarah which has 286
ayahs.
The smallest number of ayahs in a surah is 3. Incidentally, the number
of
surahs which have 3 ayahs each is also three. They are; Al-Asr,
Al-Kawthar
and Al-Nasr.
3. Besides the ayahs and surahs, in the time of the Companions of
Prophet
Muhammad (Sallallahu Alaihe wa Sal'am), there was only one other
division
of Quran Majeed known as 'Manzil' or 'Hizm'. After the ayahs and the
surahs, the Quran was further divided into 7 Manazil or 7 Ihzam.
The concept behind the manazil or ihzam was to split the Quran into
seven
identifiable sections for those who wished to finish its recitation in
one
week. With Surah Fatiha generally regarded as a preface to the Quran,
the
division of the remaining 113 surahs into 7 Manazil was done in the
following manner; 3, 5, 7, 9, 11, 13, and 65. In other words, three
surahs
in the first manzil and 65 surahs in the seventh and final manzil.
4. An advantage with this division was that it did not infringe upon
the
wholeness of the surahs. However, later on, when the Quran was further
sub-divided into 30 Juzz (Arabic) or Paras (Persian), the boundaries of
the
surahs were disregarded and the surahs appeared fragmented between the
various Juzz. It is not certain when Quran's division along these
lines
was made.
5. Yet another measure, the division of longer surahs into 'Rukuh' is
also
a latter period development. It was introduced to maintain the
continuity
of a particular topic within the longer surahs. From Rukuh, came the
word
'Rakah', the unit of prayer. The idea being to recite a topic in one
rakah.
This division is attributed to Hajjaj ibn Yusuf.
6. Hajjaj ibn Yusuf, or his administration, is also credited with the
introduction of the 'Aa'raab', or the intonation marks, e.g., 'Zair,
Zabar,
Paish, Tanween, Madd, Jai-e-Waqoof' etc. in the present day Quran.
Order and Compilation:
The order of revelation of Quran and the order of its compilation are
different. In other words, the Quran's compilation is not
chronological.
Surah Al-Fatiha was revealed in early Mecca period whereas Surah
Al-Baqarah
was revealed in Medina. Parts of this surah are, in fact, among the
final
revelations of the Quran. Yet, these two surah appear side by side. The
compilation of the Quran was instructed to Prophet Muhammad (SAW) by
Allah
Azza wa Jall.
The Quran was put together and compiled in Prophet Muhammad's (SAW)
life
time, however, it was not put between two covers. That is, it was not
put
in a book form then. Every Ramadan, Hazrat Jibraeel (Alaihe Salaam),
revisited with Prophet Muhammad (SAW) the Quran revealed up to that
period.
The exercise was undertaken twice in the last year of the Prophet's
(SAW)
life.
Compilation in book form:
During the caliphate of Hazrat Abu Bakr (Radhi Allah Anhu), following
the
Battle of Yamamah, wherein hundreds of Ashab-e-Qur'aa and Huffaaz were
martyred, there was enormous pressure on Hazrat Abu Bakr by other
Companions (Radhi Allah Anhuma Ajmaeen) to put the Quran together in
book
form. A committee of the Katibeen Wahi (Recorders of Revelation) was
formed
and Quran was formulated into book form.
Initially, there was no one particular script, a fact which encouraged different tribes to introduce in recitation their own dialect. During the caliphate of Hazrat Usman (RAA), this trend was proscribed by producing copies of Quran in a single script (Kufi). Almost half a dozen prototype copies were made and distributed to the main government centres such as Mecca, Kufa, Basra, Misr etc.
One copy was retained in Medinah. It is the same copy which is now on display at the Topkapi Museum in Turkey. Its pages carry the stains of blood of Hazrat Usman (RAA) when he was martyred and the blood from his wife, Hazrat Naila's (RAA) finger which got chopped off as she struggled to stave off the assailants and save her husband's life.
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